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The human voice has played a significant role in composition throughout the history of music. Among important issues in the vocal repertoire are text intelligibility and the dichotomy between singing and speaking. Electronic means of music production and delivery have increased the potential for experimentation in this regard, resulting in an increased blurring of the distinction between music and language acting as driving force in many recent compositions. A sonic event deserves a unique location in this space if the variance of its characteristics is sufficiently small relative to the other pieces in consideration.​This lets the listener feel the sonic progression, creating anticipation for the climax, which arrives at the chorus  with the introduction of a sonically dominant bass line. It is even more effective at amping up the tension than adding elements because it creates a sonic void, making the listener crave for the return of those key elements.There is no doubt that Damon Krukowski is the right guy to be talking about music. He understands it at an intimate level where I either wished I could talk about it the same way, or that I could spend a couple hours picking his brain over a cup of coffee. Ways of Hearing is a curious book that doesn’t really have a thesis and is more of a work-in-progress. It discusses different aspects of music and noise. Really, it tries to distinguish between the two because even though this book is mostly about music, it’s also a lot about how we hear it, and as such has to deal with how it is that we hear noise in general.

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